2019 — Molly Stephenson

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Molly Stephenson

Saprophytes, 2024

Break a mirror, throw it into the sea, 2023

Logics of Capitalist Leisure Time: A New Ecotone, 2023

Spaces of reflection between parts, 2021

Eco-labelled with god's blessing, 2021

The Boudoir Laboratory Part 2, 2020

The Boudoir Laboratory Part 1, 2020

Concious Systems, 2020

Toxic Wonderland, 2019

Dark Ecology, 2019

Pre-Presence: An Upheaval of Eden's Garden

Freckles of Spring

Diane Keaton Not Too Sure If She's Found the One

The Hauntological Seabed: Re-fleshing the Oceanic-Gothic

Orchestrating Instability: Diffusing Dualisms, Anthropological Binaries & Phantasmic Fetishes

Turba philosophorium

Quivering in Quarantine

Molly Stephenson

Saprophytes, 2024

Break a mirror, throw it into the sea, 2023

Logics of Capitalist Leisure Time: A New Ecotone, 2023

Spaces of reflection between parts, 2021

Eco-labelled with god's blessing, 2021

The Boudoir Laboratory Part 2, 2020

The Boudoir Laboratory Part 1, 2020

Concious Systems, 2020

Toxic Wonderland, 2019

Dark Ecology, 2019

Pre-Presence: An Upheaval of Eden's Garden

Freckles of Spring

Diane Keaton Not Too Sure If She's Found the One

The Hauntological Seabed: Re-fleshing the Oceanic-Gothic

Orchestrating Instability: Diffusing Dualisms, Anthropological Binaries & Phantasmic Fetishes

Turba philosophorium

Quivering in Quarantine

Saprophytes, 2024

Break a mirror, throw it into the sea, 2023

Logics of Capitalist Leisure Time: A New Ecotone, 2023

Spaces of reflection between parts, 2021

Eco-labelled with god's blessing, 2021

The Boudoir Laboratory Part 2, 2020

The Boudoir Laboratory Part 1, 2020

Concious Systems, 2020

Toxic Wonderland, 2019

Dark Ecology, 2019

Pre-Presence: An Upheaval of Eden's Garden

Freckles of Spring

Diane Keaton Not Too Sure If She's Found the One

The Hauntological Seabed: Re-fleshing the Oceanic-Gothic

Orchestrating Instability: Diffusing Dualisms, Anthropological Binaries & Phantasmic Fetishes

Turba philosophorium

Folder: curatorial

Quivering in Quarantine

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I acknowledge the Traditional Custodians of the lands and waters on which I gather and create on, the Boonwurrung and Wurundjeri people of the Kulin Nation. I acknowledge that this is stolen land, and that sovereignty over this land was never ceded. I pay my deepest respects to Elder’s past, present and emerging.